Looking for:
How To Mix and Master Music in Logic Pro X (w/ Presets) | Decibel Peak.
The first is the amount of headroom that is present in your mix, that is, at what level it is peaking. It is worth noting that the most important thing when setting your master compressor is using your ears. If you still decide to use it, just as with most things in mastering, keep it to a minimum. Additionally, I used the auto-gain option at 0dB and introduced some subtle soft-clipping distortion. A fade out can be applied to the mastered audio file do not ever try to compress or limit a track with an existing fade out!
Basic mastering logic pro x free.�� Mastering like a Noob in Logic Pro X | + Free Mastering Plugin!
It will give you more control over your frequencies. However, the added functionalities make overdoing it much easier so be careful. The Vintage EQ Collection semi-parametric plugins are modeled after famous real units. The benefit of using them is that they add a little bit of analog color to your sound and the stripped-down style makes them less prone to exaggeration — perfect for mastering.
Also, make the Q range as broad as possible so the result is smoother and more consistent. Compare your song to your reference and check for any frequencies that would benefit from an extra boost. A slight boost at around 8kHz using a high-shelf setting should add a little bit of brightness to your master; As well as one using a low-shelf at kHz for bringing attention to your bass sound.
Saturation is an optional step that can give your sound extra perceived loudness and analog mojo by distorting the sound very subtly.
There are a few ways you can do this inside Logic. These are modeled after real analog units. There is also a feature in the Tape Delay plugin that will work.
Under the Character section, note the Clip Threshold knob. Dial it back very carefully to add some tape saturation to your sound, but keep it to a minimum. You may also download the free Saturation Knob plugin by Softube. This type of plugin can be used to enhance the overall stereo image of your audio. You should go about stereo-widening very carefully as, if used incorrectly, it could throw your mix all over the place and make your bass sound weak , as well as cause phase issues.
If you still decide to use it, just as with most things in mastering, keep it to a minimum. Load the Stereo Spread plugin and set your Lower Freq. Keep the Lower Int. Set the stage to 4 or 5. Finally, a limiter will catch the loudest transients in your song while increasing its loudness to standard levels. Limiting is somewhat similar to compressing, but in a much more aggressive way: these plugins will squash any sound that exceeds the threshold , enabling you to have more perceived loudness without clipping.
There are two plugins for this job inside Logic: the Limiter and the Adaptive. With the first one, you will have to dial the release by yourself, as opposed to with the latter, which will automatically adapt the value based on your audio signal. Topics covered in the course include drum programming and choosing the drum kit; rehearsing the beat, cycling in logic, and recording the kick and snare; creating easy drum fills by MIDI time compressing; using capture recording; and separating your kick and snare by note, pitch, and output.
However, she teaches for the intermediate student who is already somewhat familiar with the software. You will get an in-depth overview of the following beat-making features: Drummer, Ultrabeat, Follow Rhythm, Space Designer, and the Arpeggiator. This is another course being taught by music producer and professional musician, Martin Svensson. The focus of this class is learning how to follow through with a project from the idea stage to a fully completed track.
The main topics Martin will cover in this Skillshare course are converting software instruments to audio; the simple arrangement; adding sounds; adding FX; mixdown; mastering the right way; and Logic Pro X quick start. He covers each of those topics in great detail in the 32 video lessons in this course. In total there are almost 7 hours of learning material which will help increase your knowledge of Logic Pro X exponentially.
With this course, Martin wants to help you get in the habit of completing tracks, no matter how obscure the original idea is, and doing so both quickly and effectively! The focus of this course is learning how to use the virtual instruments that come with the Logic Pro X software. However, you should already have a pretty good understanding of Logic Pro X in order to fully grasp the topics covered in this course.
The focus of this course is to develop your own skills and knowledge of Logic Pro X. You will learn how to compose music, record, edit, mix, and master audio using Logic Pro X. The course is suitable for absolute beginners, but some of the student reviews express that they had to go back and re-watch certain parts of the course in order to fully grasp the material.
I’m extremely passionate about online education and what it can do for those to better their lives. The Multipressor has 4 bands, which you can tweak as desired by dragging the lines that designate the band boundaries. This is because we have an overly dynamic low end, where certain bass notes, when combined with the kick drum, are pushing through louder than others.
As with a regular compressor, you have access to controls such as ratio, threshold, attack and release, to fine-tune the compression to your needs. You also have the ability to solo or bypass a band, so you can hear it in isolation and listen to the applied compression. At the top of the GUI, you will see a blue band moving as the compressor works.
This demonstrates the gain reduction applied by the compressor. The first thing we are going to do is set the Output Ceiling to This gives us a little bit of a safety net. When it comes to digital audio, overloads are something you want to avoid like the plague. Whereas analog gear can overload and create a subtle distortion that is often desirable, digital distortion sounds like fingernails on a chalkboard.
Or rubbing polystyrene together. Or a poorly played violin. Or, a polystyrene violin scraping across a chalkboard. We do this because although plugins are extremely quick, they are never infinitely quick. Even computers need time to process. So, to be extra safe from overloads, give yourself a little safety net. This basically filters out anything below 20Hz, which is below our hearing range anyway, and prevents anything weird from happening to your speakers.
This is an important part of mastering, as you need to be able to determine whether your limiting is creating any negative artefacts such as distortion or over-compression. Now, turn up the gain until your loudness matches the notes you made when you compared your references and your mix.
When you mixed your track, you worked in the stereo field using pan, panning instruments left and right and creating space for each of them. You can Sign Up Here. Review: So glad I invested in this course. Only half way through it and there is just so much detail and so many functions I, as a logic pro X user, have missed all this time!
Shortcuts that make life so much easier and most importantly quite a bit of detail on mixing and mastering your music. Great value for money. Thanks Rob! In Review: It was a really good course.
He pretty much covered everything in Logic Pro and since I am new to Logic, I feel comfortable about getting started working in Logic based on what I learned in this tutorial.